Starting from the works of the Venetian artist Raoul Schultz preserved in the civic collections of the Museum, the exhibition presents a corpus of over fifty paintings from important private collectors, in a chronological sequence that explores the artist’s many-sided creativity. […]
L’articolo Permanent collection sembra essere il primo su Ca’ Pesaro.
[…]
An exhibition dedicated to Sergio Monari’s artworks, exploring the complexity of Graeco-Roman classicism. His sculptures stand as critical reinterpretations of contemporary society and reveal the urgency to recover the spiritual dimension. […]
L’articolo Exhibition sembra essere il primo su Museo Fortuny.
[…]
The House of Carlo Goldoni with its museum contains a very important Theatrical Library that holds the archives of the ancient Teatro di San Luca, built in 1622 by the Vendramin family, among the most prestigious members of the Venetian aristocracy. Of the ancient Venetian theatres, it is the one that has existed for the longest time, and it continues its activities in the present (having been renamed the Teatro Goldoni). […]
L’articolo Permanent collection sembra essere il primo su Casa di Carlo Goldoni.
[…]
The exhibition at the Glass Museum presents to the public for the first time most of the important and substantial donation of 453 works by the Carlo Moretti company, added to the Museo del Vetro in 2020. […]
L’articolo Exhibition sembra essere il primo su Museo del Vetro.
[…]
The exhibition engages with various themes enabling us to explore the multiplicity and depth of Matta’s output of paintings, drawings and sculptures and revealing his many-sided creativity […]
L’articolo Exhibition sembra essere il primo su Ca’ Pesaro.
[…]
On view at Ca’ Rezzonico the works by Loris Cecchini, entering into a relationship with the masterpieces of 18th-century culture that are preserved in it. A shared eagerness to dismantle firmly established geometries inspires both the 18th century frescoes and Cecchini’s artistic practice, characterized by the elimination of the inside/outside threshold, the absence of a centre and the abolition of form […]
L’articolo Exhibition sembra essere il primo su Ca’ Rezzonico.
[…]